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Five women standing up to challenge the status quo in French Biz – Deadline

In 2021, Cannes The festival has programmed an unprecedented number of films of color with more women than any other year.Julia Duklnau Wins Palm Doll for Her Film Titanium, It will be the second woman to do so. This victory gave people the hope that the change probably came from a white male-dominated festival.

However, with the first announcement of the Cannes lineup last month, things seemed to be back to normal and most of the women’s and POC content was locked out. Subsequent additions to the slate included five films directed or co-directed by women for the first time in the competition. But is that enough? Changes are happening slowly, but years of exclusion have proven to be detrimental to many filmmakers in the margins, with established voices barely vocal. It was like. It’s until the new wave of women decides to face this problem head-on.

The difficulty of drawing attention to the issue of underrepresentation is partly in French law. The National Commission (French Data Protection Agency) has banned the collection of personal data and statistics showing a breakdown of racial and ethnic origins, health status, sexual orientation, and religion. Due to the absence of numbers, there is no documented evidence to address where the French film and television industry is lacking. However, the lack of numbers does not mean that the problem is overlooked, and there is a growing demand for change.This year, he attended the Deadline Disruptor class with Céline Sciamma. Amandine gay, And actresses Aisamaiga, Adèle Haenel, and Nadige Boson Diane use their words, content, and activism to challenge the status quo, questioning the outdated views of the white-male-dominated industry, and pioneering the battle. Represents a person. Here’s how they did it.

Amandine gay

Amandine gay
Amandine gay
Ottojinsou

Queer director, activist and scholar Amandine Gay is constantly opposed to the concept of universalism in her words and content.Documentary of her feature film and title Raise your voice ((((Ouvrir la voix) Puts the life of a black woman living in France in the foreground and center, and provides an intimate portrait and a true analysis of what it means to be a black woman and a woman living in France and Belgium.

The film sparked a conversation about race and gender, bringing the taboo topic of crossing to the fore. But her film showed that France wasn’t a racial utopia who wanted to believe it, so gays had to self-produce and self-distribute. In 2017, the film was released in theaters in France, Belgium, Switzerland and Canada. Many accused it of promoting the division of French society, but the New Yorker praised the film as follows: It is the beginning of the voice and the way. “

Her second documentary, My story The film records five transracial and multinational adoptions and their experiences, so we are ready to open a whole new debate about adoption and adoption.

Adèle Haenel

Adèle Haenel
Willy San Juan / Invision / AP

In November 2019, French actress Adèle Haenel accused Christophridge of sexually abusing her and attempting to care for her between the ages of 12 and 15. Two years after the #MeToo movement, created by black activist Tarana Burke, went into full swing, about abuse in the country’s entertainment industry. Henell’s remarks encouraged other women to talk about abuse.

Today, she is one of France’s most admired young actresses, and by the age of 30, she has been nominated for seven Cesars and has won two.She was nominated for another Cesar for her role in Portrait of a lady on fire.. She led the strike at the César Awards of the year when Roman Polanski won the Best Director Award, and she is famous for “La Honte! [The shame!]When she left. “

The actress ignited a feminist flame among French women who continue to demand change from the government in ways to deal with abuse and harassment. Henell has always been at the forefront of these marches and is keenly aware of the power her platform gives her to discuss these issues out loud.

Aisa Maiga

Aisa Maiga
Aisa Maiga
KCS Presse / MEGA

Actress, director and producer Aisa Maiga made her acting debut in a 1997 film. Sarakabo.. Since then, she has played a variety of roles and all performances are fearless, sincere and confident. However, for her years in this profession, she noticed and could not ignore the patterns of racist behavior in the French film industry.

She was one of the participants in a phased protest against racism in the French film industry in 2018. Cannes Film Festival.. As the actress walked across the red carpet towards the stairs of the iconic Palace of Festivals, she tied her arms with 15 other black French actresses. Her big disruptor moment took rebellious action on the stage of the 2020 Cesar Awards. In front of an almost white audience, Maiga talked about the discriminatory treatment of color actors and how the stereotypical role of black actors continues to dominate the cast’s choices. “We survived whitewash, blackface, many dealer roles, housekeepers with Bwana accents. We survived all the roles of terrorists, hypersexualized girls. But I’m not going to leave the French movie theater alone, “she said. The speech stunned the audience.

Did she offend some people? Yes. Did it somehow stop her?Maiga kept her words and realized she had to do Get used to Change, and now the actress creates the content she wants to see. In her feature-length documentary, Regards NoirMaiga provided black actresses around the world with a platform to tell the story of racism, sexism and colorism in the industry.

Céline Sciamma

Céline Sciamma
Céline Sciamma
O’Connor / AFF-USA.com/MEGA

Writer and director Céline Sciamma unintentionally started the movement.Her movie Portrait of a lady on fire It brought back a debate about women’s gaze and how it has been explored by the history of male-dominated films. The film influenced a generation of young women with a sign saying “We are girls of fire” during the march of French feminists. As an outresbian, Sheama is not afraid to criticize the current state of French cinema and television, admitting that it is very white, male and bourgeois.

That’s why Sciamma, along with others, including actresses Léa Seydoux and Lily Rose Depp, endorsed a 50/50 campaign aimed at achieving gender equality in the industry. This has led many industry traditionalists to stand by for her achievements.This was obvious when she told the Guardian how the French Press reacted. Portrait.. “In France, they don’t think movies are hot,” Sciamma virtually says. “”[They think] The body is not enough and it is not erotic. It seems that some things cannot be received. “

Her disdain for the status quo emerged at the 2020 César Awards, when Roman Polanski, convicted of sexual abuse in the United States in the 1970s, won the César Award for Best Director.

She left the ceremony in protest of actors Adèle Haenel, Noemi Merlan, Aisa Maiga and others. It examined everything she said about her desire in her industry to keep her head in the sand. But now you can see the world. Change is slowly creeping up in France, but no one denies her putting her strange ideals and women at the forefront of her story she chose to tell.

Nadege Bawson-Diagne

Nadege Bawson-Diagne
Nadege Bawson-Diagne
Sipa via AP image

Paris-born actress, singer and poet Nadige Beauson Diagne was a loud and proud activist in the French film and television industry. She attended the 2018 Cannes Film Festival and walked hand in hand with other black actresses, protesting the underestimation of black and mixed race women and the cliché they receive. Throughout her career, she heard some anti-black comments mentioning her skin color and her language and called her too black or not black enough.

With Adèle Haenel, in 2019 she also positively talked about her experiences of sexual abuse and sexual assault. Nadage told her Instagram account: “I was also a victim of sexual harassment and sexual assault in two shoots in Africa. It was a long time ago. The pain was swallowed. Today I release the word and regain my life. Ready to speak up to help. “

George Miller / Deadline
Read the digital version of the 2022 Deadline Cannes / Disruptors Magazine Here..

The actress turned her pain into resistance by publicly calling for racial and gender issues. By sharing her story and putting her feet on the pavement to fight for women’s rights, she stands side by side with Celine Sciamma, Aisa Maiga, Adèle Haenel, Amandine Gay and more, France. Decided to make the industry a better place.



Five women standing up to challenge the status quo in French Biz – Deadline

Source link Five women standing up to challenge the status quo in French Biz – Deadline

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