Cannes Review: “Our Men” – Deadline

director Rachel Lang Follow a couple of troops in Our subordinatesAn interesting insight into the life of the French Foreign Legion, which closed the Cannes’ Fortnight section. Lang herself graduated as a lieutenant in the French army and served in the Sahel Desert in 2017, so it is no exaggeration to say that she is more knowledgeable about the world than many filmmakers.


Dramatic features with documentary level details, Our subordinates It focuses on two men of different ranks and their partners. Nika (Ina Maria Baltaite) in her early twenties has left Ukraine to join her soldier’s boyfriend Vlad (Alexandre Kuznetsov) on Corsica and is in the camp. There she meets Celine (Camille Cottin), An elderly sophisticated lawyer who is married to commander Maxim (Louis Garrel). Celine spies on the opportunity to recruit babysitters, and Nika takes care of her while she’s waiting for her. Vlad does not share her desire to be a parent, which creates tensions among couples who are already suffering from the demand that military life can build relationships.

This action moves back and forth between women and men in the camp, contrasting the events of Legion’s life with that of a partner’s life. The contrast is especially noticeable when men go on a dangerous tour to Mali. It shows not only the painful waiting games that women endure at home, but also the details of life preparation such as bikini wax and tattoos. Meanwhile, we see men line up to call their partners before they leave. This is a dark conversation that may be their last. It’s a cool moment that always outlines the risks and fears that lie in the background.

Cotting’s performance, which was particularly impressed by the competition title in Cannes, is strong. Still water.. There is a gentle and vulnerable turn from Bartaite, who died tragically earlier this year. Men are often cast, but a little more mysterious. These are men who generally maintain their emotions. Kuznetsov is all fed up with energy and potential anger. Garrel is authoritative and aloof. But Lang chooses her moment and reveals the details.

The carefully choreographed shower scene is reminiscent of Clare Dennis. Beautiful work, And one scene of the winner of the Cannes Palme d’Or, which is otherwise different Titanium.. Our subordinates Suffering compared to Beautiful work: Not all modest conversations have an impact on what they can do.Unlike the movie before Lang Baden-BadenThere is little humor to get rid of the edge of the drama, and at some point it even feels a bit soapy — Army wife Without songs or jokes. However, it gives a fascinating look to the daily lives of people in unusual situations.

Cannes Review: “Our Men” – Deadline

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