Broadway is about to reopen and there is a long list of shows. Hamilton, The Lion King And Evil — — The art community Already celebrating..
London’s West End is also in the process of rebuilding a pandemic-dysfunctional economy. The UK venue welcomed patrons in May with safety restrictions.
The health of the theater industry is showing signs of recovery as immunization rates rise and the number of COVID-19 cases declines in Canada. However, uncertainty still remains.
The state is developing a gradual reopening plan subject to rising public health, but can live theaters in our country make the comeback that performers need and the audience wants? The three performing arts people share their views on whether there is hope and what it does.
When a crisis strikes, “art is our way”
Last summer, the Toronto Musical Stage Company Pouch side song — A private and intimate performance in the backyard or on the front porch of the city.
“Getting out of loneliness through performances was told by people last summer that it was the best artistic experience ever,” said Mitchell Marcus, arts and managing director.
The series is back and will be introduced to a group of 10 people in the fresh air. When the tickets went on sale, all 60 concerts were booked within an hour.
“It happens many times that art is our way. [of crisis],” He said.
“The sooner we notice, the more we can take advantage of the artists’ wonderful skill sets before they lose them and guide them on the path to reviving us as a society.”
According to Marcus Ontario reopening plan Up to 10 performers at a time listed only the “short-sighted” provisions of the performing arts, including rehearsals, permission to broadcast and record outdoors.
And he and his companions were formed #FairnessForArtsON, A group of about 100 performing arts and live music organizations based in Ontario, petitioning the government for accommodation equivalent to that expanded to other sectors.
“”[Theatre actors] I plan to work in an outdoor parking lot in the hot sun. Equivalents in the movie work 50 people indoors, while equivalents in the athletic world practice games indoors. “He said.
The musical stage is about to open up a new play. Power outageThis summer, at an open-air amphitheater in High Park, Toronto. But it’s a waiting game.
He said the reason for the delay and threat to livelihoods was the lack of thought about how the theater still operates.
“I know that this devastated industry, these artists who are absent from work, will lose summer just because people haven’t taken the time to chase science and think about how obvious this is. Is very miserable. The solution. “
Not the same art form we knew
Jivesh Pallaslam, artistic director of Vancouver’s Rumble Theater, said that when a pandemic occurred, most of his peers learned to edit video and start creating virtual shows.
“To have [a show] Having to cancel or switch to the digital version is a huge amount of work and can carry a great deal of risk, “he said.
“We’ve done this in addition to everything else, so what I really feel from many people is … the amount of burnout.”
Rumble Theater was already investigating digital theaters prior to COVID-19. It managed to livestream the show just outside the gate and continued the 2019-2020 season online.
“It’s a good thing in the end because it forces more interdisciplinary collaboration … and the spread is very widespread,” he said.
Palaslam admitted that it is far from the look of a traditional theater.
“I don’t know it’s the same form of art anymore, and it’s interesting to me.”
BC is approaching Stage 2 of its reopening plan as early as June 15. This allows up to 50 people to gather at indoor events, including live theaters, with the safety protocol in place.
Despite some mitigation restrictions, Pallaslam, who moved from Toronto to Vancouver in 2018, believes theater companies in both states will continue to prefer outdoor venues, at least for now.
“Even if you’re in the same room, the people there have an overall level of anxiety, and that level of anxiety will make it harder to interact with the work and things will be lost,” he says. I did.
But he said art can make a significant contribution to “community health.”
“Re-learning the meaning of being in space together is a big role we can play.”
Return to Broadway
Broadway musical that won the Tony Award in March 2020 Hades Town Before COVID-19 closed, he performed at the Walter Kerr Theater on Broadway eight times a week at Full House.
One of the life-turned actors is Jewelle Blackman, who returned to Toronto to come back with his parents and write songs and plays to deal with the “trauma and distraught that the theater is gone.” became.
“For now, I knew I couldn’t rely on aspects of my performance to get over this pandemic,” she said.
She came up with the show Cracks in the wallCo-authored with Evangelia Kambites on love, loss, and life during a pandemic.The duo does it for an audience of 10 as part of the musical stage company Pouch side song series.
This is the first time Blackman has sung live since March last year. She said she was dissatisfied with how slowly the theater was recovering compared to other sectors.
In a recent film set in Toronto, Blackman noticed a clear contrast between the environment and the performing arts.
“Every three days, they do a quick test and you get results pretty quickly. Everyone is still wearing a mask before they shout” Shoot! “. Everyone in the room. And only the actor removes the mask. I’m shooting. “
But now that Broadway is back, Blackman will return to New York at the end of July to prepare. Hades TownWill resume on September 2nd. She said she was looking forward to the first show.
“I don’t know how much we all cry or scream. It will be a moment.”
Canada is slowly reopening, but is the live theater left behind? 3 insiders participate
Source link Canada is slowly reopening, but is the live theater left behind? 3 insiders participate