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Artist draws the dark side of Ukraine with a ballpoint pen

Kiev-whatever his subject-the big guys who live big while many are hungry, the goats hired to disperse the protests, the poor Ukrainians who have been driven abroad in search of work- Artist Serhiy Kolyada writes it on paper with a simple tool: ballpoint pen pen.

Inspired by “everywhere,” Kolyada, 49, straddles the turbulent era of 30 years of life and art since his independence in the late Soviet Union and 1991, with a simple structure at the tip of the big. The paper draws the image he says and depicts the lower abdomen of Ukraine.

They are bad social, national criticism, and greed, corruption, sex trips, poverty-related labor movements, alcoholism, and, as he sees, Congress.

See also: Image and identity of Ukraine’s attempt at cultural diplomacy

He calls it “zhlob” art. The term is difficult to translate skillfully and has a variety of meanings, from “parasites” to rude and narrow-minded villains. But Kolyada’s work is full of such “antiheroes,” whether it’s a Venal oligarch or a thug that the oligarch uses as a paid muscle to carry out a forced acquisition of the company. is.

“It’s a moody person who behaves warlikely in society,” he said. “Let they not pick up trash after themselves … in the world of crime they roll drunks for money … and later these people enter politics and are in power Meanwhile, they promote corruption by continuing the habit of stealing from the national budget. “

This is a social symptom of “starting from the bottom to the top,” Kolyada added.

A painting by Serhiy Kolyada depicting a father and son outside a prison in Kiev.

Kolyada’s work can be offensive, which may be his purpose. Talking to RFE / RL at his temporary home studio in Kiev, he said his target was not the viewer’s eyes, but the viewer’s brain.

“We already have a lot of art that performs decorative functions that are pleasing to the eye. What we need is art that makes people think,” Kolyada said.

Over time, the ominous figure in his series of paintings became Katerina, a barefoot, frowning woman. 1842 painting by Taras Shevchenko, A versatile poet, a noble figure of Ukrainian culture, an artist, and a farewell to the emperor Russian officer.

Serhiy Kolyada holds one of his works in front of the paintings of 19th century poet and artist Taras Shevchenko. In both cases, a person named Kateryna is depicted.

He inserted the same image of her in various places, including Capitol Hill in Washington, Red Square in Moscow, and Maidan’s Barricade in Kiev-partially ignited by anger at corruption, pushing up a Moscow-friendly president. Massive protest Viktor Yanukovych came to power in 2014.

Kolyada’s drawing featuring Katerina, who frequently appears in his work, in Maidan, Kiev, where a wave of protests rushed in 2013-14.

Through Katerina, Kolyada said, “I’m trying to show what Ukraine is and what it means … In the former Soviet Union, we were all Russians … Here we are another country. I want to show that. “

By placing her in various foreign environments, the artist said he emphasized “the plight of Ukrainian women who had to go abroad to make money as labor immigrants.”

He chose her, he said, “because nothing has changed in Shevchenko’s life for more than 200 years.”

The government still has the same attitude towards the people … the same social problems exist. We still have a feudal system with the Baron, “said Kolyada, referring to the widely-known tycoon who is exerting political influence.

Another Kolyada painting. This time, SexTour.com.ua depicts Katerina in a vehicle on the side.

President Volodymyr Zelensky was democratically elected, but behaved like a “monarch” and “has an oligarchy for the prince,” he said, but did not provide details to support his statement. It was.

Kolyada also returns to the Bible from the Kiev-born Soviet-era writer Mikhail Bulgakov, and looks at many other figures from the past in the meantime. He mixed elements of pop culture with images of the Renaissance (David of Michelangelo on nudist beaches) and the work of another major Ukrainian figure, Nikolai Gogol.

Kolyada has sacrificed their lives since Maidan added a scene of protests to his paintings after Russia occupied the Crimean Peninsula and assisted anti-Kiev forces in the ongoing war in eastern Ukraine. It shows that there are people ready to do it for freedom, for their country, and to protect their fellow compatriots.

“In my dream”

Kolyada’s dissatisfaction with the state and society is firmly rooted in the Soviet era when he ended at about 20 years old.

He cites his keen sense of justice from listening to Voice of America (VOA), RFE / RL, and BBC broadcasts on shortwave radio.

Kolyada said the 1986 disaster at the Chernobyl nuclear power plant was the source of his distrust of the Soviet system, as was the case with many in Ukraine and elsewhere. He listened to Western broadcasters in the evening and began writing letters to the editors.

Drawings by Kolyada, including depictions of Chernobyl and religious images.

“I think this is when the KGB starts homing to me, especially when the priest who ran the program in VOA replied to me and the envelope was opened,” he said.

As he grew older, Kolyada took part in anti-government protests, skewered Soviet authorities, began drawing images pointing to empty store shelves, and took art classes.

After that, his application to the Kharkov art school was rejected. He spent a month in Sweden during the August 1991 coup that accelerated the collapse of the Soviet Union. He was denied political asylum and met a KGB officer when he flew to Moscow.

After that, he returned to his university in Zaporizhia, where he was soon expelled in an “anti-Soviet attitude” and completed training to become a Ukrainian teacher at the university in Berdyans’k, a port city in the Sea of ​​Azov. He grew up after being born in Odessa.

Kolyada’s main tool is a ballpoint pen, but he may also add gouache and watercolors to his work.

Finally graduated in 1997, Kolyada went to Kiev and continued to paint with a ballpoint pen, making use of some of the money he earned from selling sketches in college.

Kolyada said he was inspired “from everywhere”, on the streets, in the news, in books and advertisements, and “in my dreams.” When an artwork idea germinates, “it takes a long time for the subject to boil in my brain.”

Written on paper, his work can get up to $ 3,000, depending on size, but on average it sells for $ 500 to $ 600. This is far from what the more famous Ukrainian artists can get. The work of Lviv-based painter Ivan Turetskiy sold $ 21,250 at an April auction in Sotheby’s, New York.

The establishment of Ukrainian galleries and art has largely avoided his work. His work often features eroticism and nudity along with facial images.

“Gallery owners like my work on Facebook, but never offer to show them,” he said. “It’s a confusing situation and they don’t provide a specific reason.”

COVID-19 A picture of Kolyada depicting Mona Lisa wearing a mask, hinting at a pandemic.

He said the gallery owner offered to showcase his work, but demanded that he pay $ 1,000, but still allowed them to choose which work to show. ..

“It’s a closed circle,” he added, adding that he would make up for his income by working as a computer graphics artist and shrugging a few things. “I don’t pay attention to them [gallerists]… they ignore me and I ignore them.

Kolyada is more successful with expatriates abroad and in Ukraine.

Occasionally, Kolyada adds gouache and watercolors to his ballpoint pen work, like the paintings dedicated to the September 11, 2001 terrorist attacks on the United States. When it comes to materials, he says he tried “all of them.”

“I drew with pencils, with watercolors and oils, but I’ve always come back to ink,” he said.

It’s not a crowded field. Kolyada said he was the only prominent Ukrainian member of the informal ballpoint pen art movement.

“There was another ball pointer in Luhansk,” he said, referring to one of the eastern cities owned by Russian-backed separatists. “But when the war with Russia began in 2014, I lost sight of him, and I don’t know where he is now.”

Copyright (c) 2018. RFE / RL, Inc. Reissued with permission from Radio Free Europe / Radio Liberty, 1201 Connecticut Ave NW, Ste 400, Washington DC20036

Artist draws the dark side of Ukraine with a ballpoint pen

Source link Artist draws the dark side of Ukraine with a ballpoint pen

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